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Violently Happy Features documentation of a series of scaled down a3 multi layered screen prints over discarded work and found printed matter of varying autobiographical significance. By recycling or destroying old works in this way I was able to cathartically create maximal images through a minimalist approach to materials. The illustrations themselves question the idea of ownership within bootlegging as an art practice as well as poking fun at the impersonality of machine communication.
Violently Happy Features documentation of a series of scaled down a3 multi layered screen prints over discarded work and found printed matter of varying autobiographical significance. By recycling or destroying old works in this way I was able to cathartically create maximal images through a minimalist approach to materials. The illustrations themselves question the idea of ownership within bootlegging as an art practice as well as poking fun at the impersonality of machine communication.
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