The Days

David Blacks latest body of work extends his ongoing exploration of Western Americana into a more fluid meditation on energy, embodiment, and the inevitable impermanence of form. Here, the frame becomes a vessel for transmission, capturing not story but sensation: the spark that animates, the shimmer that moves between bodies, seen and unseen. These images invite us to consider our own physicality as a threshold - where motion becomes trace, and what lingers in the ether briefly takes shape before dissolving again into light.