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Here it is, Issue 2! This time, were exploring the theme of humour. With prose from Amelia Abraham, Donna Marcus Duke, Jordan/Marin HelL, Kasra Jalilipour, Chris Kraus and Susan Cooper, Laura Lynes, and Michelle Tea; poetry by Biogal, Kim Hyun (tr. Archana Madhavan) and Maz Murray; a conversation between David Hoyle and Amrou Al-Kadhi, as well as interviews with John Booth, Daniel M. Lavery and Brbara Snchez-Kane; and art from Dynasty Handbag, Cash Frances, and Francis Whorrall-Campbell, and archival photography by Greer Lankton.
Cover image by Brbara Snchez-Kane, in collaboration with Dorian Ulises Lopez, the photograph From the Series Amor Entre Cucas (2019)
The BitterSweet Review is a publishing platform dedicated to the advancement of queer literature and visual culture. Initiated in London by a group of international writers, artists and scholars, it was born out of a desire to build community in times of hardship. Its activities include a biannual magazine, artists limited editions and writing workshops.
Here it is, Issue 2! This time, were exploring the theme of humour. With prose from Amelia Abraham, Donna Marcus Duke, Jordan/Marin HelL, Kasra Jalilipour, Chris Kraus and Susan Cooper, Laura Lynes, and Michelle Tea; poetry by Biogal, Kim Hyun (tr. Archana Madhavan) and Maz Murray; a conversation between David Hoyle and Amrou Al-Kadhi, as well as interviews with John Booth, Daniel M. Lavery and Brbara Snchez-Kane; and art from Dynasty Handbag, Cash Frances, and Francis Whorrall-Campbell, and archival photography by Greer Lankton.
Cover image by Brbara Snchez-Kane, in collaboration with Dorian Ulises Lopez, the photograph From the Series Amor Entre Cucas (2019)
The BitterSweet Review is a publishing platform dedicated to the advancement of queer literature and visual culture. Initiated in London by a group of international writers, artists and scholars, it was born out of a desire to build community in times of hardship. Its activities include a biannual magazine, artists limited editions and writing workshops.
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