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Made up of eight different muscles, Tongues are the focus of Safars forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold ones tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more.

Safar is an annual and bilingual design and visual culture journal published in Beirut. The name Safar is Arabic for travel, and it refers to notions of communication, especially across disciplinal, cultural, and linguistic boundaries. Safar was created to remedy the scarcity of critical writings on design in the global south, and it aims to acknowledge designers as active agents of cultural production.

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Made up of eight different muscles, Tongues are the focus of Safars forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold ones tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more.

Safar is an annual and bilingual design and visual culture journal published in Beirut. The name Safar is Arabic for travel, and it refers to notions of communication, especially across disciplinal, cultural, and linguistic boundaries. Safar was created to remedy the scarcity of critical writings on design in the global south, and it aims to acknowledge designers as active agents of cultural production.

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