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The world is sHll out there. Our job, now as always, is to find our places in it. A way through it. Rdland was invited by Der Greif to guest-edit issue 17. He has built the issue around works by 90 images challenging and reflecHng the medium of photography and opening up to push it forward in response to the rise of generaHve AI; beyond conceptualism and criHcal appropriaHon, towards a grounded but updated mysHcism.
How are photographers and image makers responding to these immense technological and cultural shifts? The issue offers a compelling view on the scope and the impact of the threshold period were currently in. What are we thirsty for now?

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The world is sHll out there. Our job, now as always, is to find our places in it. A way through it. Rdland was invited by Der Greif to guest-edit issue 17. He has built the issue around works by 90 images challenging and reflecHng the medium of photography and opening up to push it forward in response to the rise of generaHve AI; beyond conceptualism and criHcal appropriaHon, towards a grounded but updated mysHcism.
How are photographers and image makers responding to these immense technological and cultural shifts? The issue offers a compelling view on the scope and the impact of the threshold period were currently in. What are we thirsty for now?

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