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Elaborated from an eponymous exhibition held at the Latvian National Museum of Art in 2020, Family examines the visual, autobiographical, and theoretical strands that inform riks Apaais practice, featuring texts on his work by the curator Katerina Gregos and Latvian art critic Santa Hira. Apaais draws from fields as diverse as psychoanalysis, literary theory, psycholinguistics, structural linguistics, and semiotics to pose pointed picture-form questions about the nature of memory, language, representation, and the self. Linked to these inquiries are the uncanny childhood experiences that seem to permeate his work. As Gregos notes the strength of his work lies in his power of allusion, of understatement and enigma. The effect achieved is liberating, lending audiences a fresh pair of eyes with which to examine a variety of experiences. As Hira puts it, Apaais investigations of the links between language and visuality amount to an emancipation from the conventional ways of looking and thinking that have shapedour relationship with the visual arts, images and practices of representation
Published by Bom Dia Boa Tarde Boa Noite.
Elaborated from an eponymous exhibition held at the Latvian National Museum of Art in 2020, Family examines the visual, autobiographical, and theoretical strands that inform riks Apaais practice, featuring texts on his work by the curator Katerina Gregos and Latvian art critic Santa Hira. Apaais draws from fields as diverse as psychoanalysis, literary theory, psycholinguistics, structural linguistics, and semiotics to pose pointed picture-form questions about the nature of memory, language, representation, and the self. Linked to these inquiries are the uncanny childhood experiences that seem to permeate his work. As Gregos notes the strength of his work lies in his power of allusion, of understatement and enigma. The effect achieved is liberating, lending audiences a fresh pair of eyes with which to examine a variety of experiences. As Hira puts it, Apaais investigations of the links between language and visuality amount to an emancipation from the conventional ways of looking and thinking that have shapedour relationship with the visual arts, images and practices of representation
Published by Bom Dia Boa Tarde Boa Noite.
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