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Time is a fundamental dimension of the work of Giuseppe Gabellone, and it resonates in all the works shown at the GAMeC in Bergamo. In his photographs and sculptures - the two main media around which Gabellone has developed his language stretching the conventions and possibilities of both - time takes on forms that are not easy to grasp, in spite of the clarity that sets his image apart. It is a time that is simultaneously specific and extraneous; an absolute and present time, but one that goes beyond the contemporary; a time anchored in experience, yet also transcending it.
Time is a fundamental dimension of the work of Giuseppe Gabellone, and it resonates in all the works shown at the GAMeC in Bergamo. In his photographs and sculptures – the two main media around which Gabellone has developed his language stretching the conventions and possibilities of both – time takes on forms that are not easy to grasp, in spite of the clarity that sets his image apart. It is a time that is simultaneously specific and extraneous; an absolute and present time, but one that goes beyond the contemporary; a time anchored in experience, yet also transcending it.
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