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As explored in our last issue, the end times hang heavy in the back roads of Western civilization's collective psyche. But what (or who) comes after "The End"? When the curtain drops and the credits roll, when one world or another comes to completion, does the ride not still continue in some form? Past, present, and future collide in the liminal territory of the post-apocalyptic, where longstanding symbols lose their meaning and the limits of what's possible are bound only by the human imagination; with its eternal obsessions, desire, fears, hopes, dreams, and fantasies. The post-apocalyptic issue Beyond the Pleasure Dome contains work by Marina Inoue, Cade Moga, Rubn Ulises Rodrguez Montoya, and more.

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As explored in our last issue, the end times hang heavy in the back roads of Western civilization’s collective psyche. But what (or who) comes after “The End”? When the curtain drops and the credits roll, when one world or another comes to completion, does the ride not still continue in some form? Past, present, and future collide in the liminal territory of the post-apocalyptic, where longstanding symbols lose their meaning and the limits of what’s possible are bound only by the human imagination; with its eternal obsessions, desire, fears, hopes, dreams, and fantasies. The post-apocalyptic issue Beyond the Pleasure Dome contains work by Marina Inoue, Cade Moga, Rubn Ulises Rodrguez Montoya, and more.

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