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The Palace of Typographic Masonry is an (imaginary) institute for the splendour and variety of visual languages. This fifth of excerpt from a conversation beteen the Initiator and a visitor in the Vestibule of Principles & Rationale, about why we should engage with the history of design in the first place, took the form of a 16 page booklet, with text on one side and images printed in three pantone colours on the other. Pictured on index cards, some references are part of a spatial construction of targets in which one can recognize the title.

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The Palace of Typographic Masonry is an (imaginary) institute for the splendour and variety of visual languages. This fifth of excerpt from a conversation beteen the Initiator and a visitor in the Vestibule of Principles & Rationale, about why we should engage with the history of design in the first place, took the form of a 16 page booklet, with text on one side and images printed in three pantone colours on the other. Pictured on index cards, some references are part of a spatial construction of targets in which one can recognize the title.

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