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The Palace of Typographic Masonry is an (imaginary) institute for the splendour and variety of visual languages. This fifth of excerpt from a conversation beteen the Initiator and a visitor in the Vestibule of Principles & Rationale, about why we should engage with the history of design in the first place, took the form of a 16 page booklet, with text on one side and images printed in three pantone colours on the other. Pictured on index cards, some references are part of a spatial construction of targets in which one can recognize the title.
The Palace of Typographic Masonry is an (imaginary) institute for the splendour and variety of visual languages. This fifth of excerpt from a conversation beteen the Initiator and a visitor in the Vestibule of Principles & Rationale, about why we should engage with the history of design in the first place, took the form of a 16 page booklet, with text on one side and images printed in three pantone colours on the other. Pictured on index cards, some references are part of a spatial construction of targets in which one can recognize the title.
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